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This website is about Brazilian jiu jitsu (BJJ). I'm a purple belt who started in 2006, teaching and training at Artemis BJJ in Bristol, UK. All content ©2004-2016 Can Sönmez

10 November 2014

10/11/2014 - Teaching | Mount | Upa Escape

Teaching #230
Artemis BJJ (Bristol Sports Centre), Can Sönmez, Bristol, UK - 10/11/2014

For what's called the upa escape from the mount ('trap and roll' is another common term), a typical starting point would be when they try to establish their first grip on your collar (or your neck, if you aren't wearing a gi) for a choke. That provides you with a chance to trap their arm. The usual grip would be to grab their wrist with your opposite hand, then just above their elbow with your other hand. This is the preferred grip on Gracie Combatives. The reasoning is that this grip prevents your opponent from drawing back their arm for a punch.

There are various other possibilities, such as the option I first learned, which was gripping their wrist with your same side hand, then grabbing the crook of their elbow with your opposite hand. That has the advantage of helping you wedge your elbow and arm into their chest, which provides additional leverage when rolling them over. Having said that, you can still use your elbow with the Gracie Combatives grip, it's just slightly less effective as your arm starts further away from their torso.

Whatever grip you choose, you then need to trap their leg on that same side. Otherwise, they will be able to use their leg for base as you attempt to roll them. In order to prevent that, step your same side foot over their lower leg, hooking it in tightly to your bum. This means they are now like a chair with two of its legs missing. If you feel your control is too loose, slide your foot further across towards the other side of your bum, which should eat up some more space.

Even if they can't post with their leg, they might be able to use their knee, so you want to have their leg as tightly locked to your body as possible. Also, be careful that you don't end up hooking both their feet, or leave your other leg in range of their hook. It is possible for the person on top to defend the escape by securing a hook with their free leg by your non-trapping leg. Therefore, try to keep the leg they might be able to control out of range.

A common problem is that you're having trouble trapping their foot, because it is too high up. If that happens, try using your elbow (or even your hand, if you need more reach, but that could leave your neck vulnerable) to shove their knee backwards, until their lower leg is in range. This is an advantage of the Gracie Combatives grip, as putting a hand behind their triceps puts your elbow in a good position for shoving back their knee.

Yet another option, if their arm is not in range, is to bridge enough to bump them forward, jamming your knee into them if you want more leverage. That should mean they are forced to post out their hands for balance, a difficult instinct to ignore. That puts their arm within reach. You can then wrap both of your arms around one of theirs, gable gripping your hands (palm to palm). Suck that arm into your chest, clamping it at the elbow.

To finish, you're going to bridge towards that trapped side. As with basic side control escapes, get your heels close to your bum first for maximum leverage. Bridge up and over your shoulder, turning to your knees: this puts you inside their guard. Make sure that you're bridging over your shoulder and not simply rolling over to your side. If you don't raise your hips properly, you may merely give up your back.

If you find you need more leverage, most commonly if they are posting with their free hand to stop your roll, you could attempt to dislodge that by pushing their arm off the ground. Alternatively, the legendary Rickson Gracie has a great detail, which he demonstrated in a video a while ago. Simply angle your head away from the shoulder you're rolling over: this increases your range of motion.



When you've successfully rolled them over, that puts you in the guard position. Remember to posture up when you reach that position: if you are leaning forwards, they can pull you down right into a submission.
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Teaching Notes: I decided to go with the option of bumping them to make them post their arms on the floor. Chrissy Linzy said something in one of her women's class write-ups that I re-read recently, which is that she doesn't like to teach in a way that requires somebody to make a mistake. While grabbing the collar isn't exactly a mistake, teaching it that way means the student starts thinking they can only do the upa when the collar is grab. Showing them a more pro-active variation, where you can get the arm even if they don't give it to you, is probably more effective.

I'll see how it goes over the rest of the month during sparring: it will be interesting whether or not people start bumping their training partner to harvest the arm. Although I suspect once I teach the heel drag this week, a lot of people may well switch to that (as IMO it is the highest percentage escape from mount).

I make a point of asking if anybody has any questions at several points during class, but especially at the end. I had a good one today, asking what the person can do on top if they are being rolled. I went with three suggestions: first, make yourself heavy on the other side, basing your arm out. Second, hook their leg on the side they aren't rolling towards. Third, get a strong cross-face if you can to turn their face in the other direction, but often they'll have trapped that arm, making it difficult.

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