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This website is about Brazilian jiu jitsu (BJJ). I'm a black belt who started in 2006, teaching and training at Artemis BJJ in Bristol, UK. All content ©Can Sönmez

31 January 2013

31/01/2013 - Teaching (Side Control Top)

Teaching #092
Gracie Barra Bristol, (BJJ), Can Sönmez, Bristol, UK - 31/01/2013

The new teaching schedule means both sides of a position are covered in a fortnight, so tonight I'm covering maintaining side control. This time I'm beginning with an emphasis on mobility in side control as well as focused pressure. Although it can be tempting to just seize up in side control, you have to keep moving: otherwise, you aren't reacting to your opponent and they're eventually going to escape.

That transitional, mobile element to side control can be seen in Saulo's method for maintaining side control, which he shows on Jiu Jitsu Revolution. He keeps his hip stuck right by theirs throughout. The only time he lets off the pressure is if he gets something better, like strong control on the far arm. As they move, turn and put your other hip to theirs, following them around with your legs sprawled back. Your elbow is across, blocking their other hip: however, be careful of pinching that in too forcefully, as that may help them initiate an escape where they roll you over the top.

Your weight should constantly be on them, because of that sprawl: don't touch the floor with your legs or knees. You can also reverse, which Saulo's brother Xande discusses in detail on his DVD. Turn your hips in the other direction, so that you're now facing their legs. Control their far arm, also making sure to block their near hip to prevent their movement in that direction.

To continue emphasising the importance of that hip connection, I then brought in the drills from Saturday, with sparring from side control without using your arms, then another round where the bottom person can use their arms but the top person still can't. My intention was to help students improve their sensitivity and weight distribution, both on top and on the bottom.

Moving on from there, I then progressed to the more detailed section I normally start with. When you're underneath, one of the worst things that can happen is they control your near arm. Now that you're on top, that is therefore exactly what you want. Start by digging your knee in to get it into the armpit. You want to slip it right under, bringing your knees in close to their head.

Next, you want to apply the cross face. If you're not familiar with the term, that means bringing your near side arm under their head. From that position, you can then drive your shoulder and/or arm into the side of their head or neck, aiming to get their head to turn away from you and/or generate some choking pressure to distract them. If they can't turn their head back towards you due to the shoulder pressure, it will make it much harder for them to create space and escape. "The body follows the head" or "where the head goes, the body follows" is an old adage and a true one. Choking pressure can also open up opportunities to switch to mount or consider initiating a submission attempt. This is what SBG call the 'shoulder of justice.'

So, you've got control of their near arm and their head. You're now going to deal with their far arm. Reach under that far elbow with your arm, coming under the armpit. You have a couple of options here. Option one is linking your hands together with a gable grip and sucking them in towards you, providing a very tight side control. This is how Tran showed it to me several years ago, and has been my preferred control ever since. Option two is gripping around their shoulder, to bring their shoulder off the mat: this is something Dónal likes to do, which isn't surprising as I think I first saw that on a Braulio video. You can also use the elbow of your far arm to squeeze into their far hip.

You want to keep control over this far arm for two reasons: first, they can use it to defend, by getting it into your neck. Second, there are a number of attacks you can do from here. Final point I wanted to emphasise was chest position. Picture an imaginary line between the middle of their chest and also between yours. You want to bisect those lines: don't be too far over them, or they can easily roll you (if they DO try and roll you and it's working, put your far arm or your forehead out for base). Too far back, and it's easier for them to slip out and escape. Stay low, dropping your hips: don't leave them any space.

This is what I would call orthodox side control, and it's the one I use all the time. I prefer this position, because here I feel like I have the most control, as my opponent has no space. I also tend to clasp my hands, in what Xande calls the 'super hold' on his DVD, with good reason. It's a powerful grip.

At this point, I wanted to note that there are a bunch of different things you can do with your legs. I prefer to bring both knees in tight. Other people like to sprawl them back and drop the hips. Then there are others who will have one knee up by the hip, the other leg sprawled back. Play around and see which you like, and also be ready to switch depending on your partner's movement

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Teaching Notes: In previous side control maintenance lessons, I've taught the techniques the other way round. That's because I reasoned that the details are the important part everybody needs to know, then the Saulo variation is an interesting alternative which will appeal to some but not all. After Saturday's drilling class, Saulo's option probably makes more sense to teach first. It is also 'simpler', in that I don't need to go through a lot of details, but in another sense it is much more advanced, because it needs a high degree of sensitivity and understanding of weight distribution.

I wouldn't normally have sparring in the middle of the lesson either, but it seemed to work ok today. I think as with Saturday people find it a fun change from the norm, and it also gives me a chance to join in, as that doesn't put too much strain on my injured groin. I couldn't take part with typical specific sparring, however: I was tempted, but could already feel some twinges in my groin with the armless sparring if I tried to bridge too much.

The second part is quite detailed. It's all basic stuff, but I should perhaps avoid throwing in too many variations at this stage. Right now, I'm not just saying "keep your knees in tight and spread your legs to sink the hips," but also offering a few variations from having your legs sprawled back. Then again, if I don't have that in there, it doesn't connect up as well to the first half of the lesson.

I'll see if I get any feedback in regards to that, so will send out another Facebook message.

30 January 2013

30/01/2013 - Private Lesson with Dónal (Knee Cut Pass & Knee Shield Troubleshooting)

Class #484 - Private #002
Gracie Barra Bristol, (BJJ), Dónal Carmody, Bristol, UK - 30/01/2013

The last time I did a private lesson was with Kev Capel, a few years back. I hadn't been all that interested in doing more, as I wasn't sure I was at a level to really benefit from them properly. I'm still not sure I'm at that level, but I thought getting some private lessons from Dónal would be a good idea at the moment, given my injury is keeping me from training normally. It's also cool to get in more classes with Dónal generally, as I like his teaching style.

Privates at GB Bristol come in blocks of three, which you can split with other people, meaning it works out as fairly inexpensive. Dónal also likes to have more than one person there, as that makes it easier to demonstrate, drill and observe, but Steve wasn't able to make it today. Still, that has the advantage of a 100% focus on me, which is handy for a private lesson. ;)

When I first inquired about getting a private, Dónal made a point of asking me what I wanted to work. We then discussed it again at the start of the session. What I would really like to develop is my closed guard, but annoying me that's also exactly what I can't work with this groin injury. Instead, just like my previous private lesson with Kev three years ago, I went with another of my many weak areas: guard passing.

As I couldn't do closed guard with my injury, we went with open guard. I emphasised that I wanted something with as few moving parts as possible, so I could hone in on the minor details, rather than get confused by a huge mass of grips, spins and gymnastic moves. I also showed what Kev had taught me last time (or at least, what I remembered of it).

Dónal decided that the knee cut pass would fit well with my goals. This is the same pass I learned from Kev, but Dónal teaches it a little differently. When you initially step into their open guard, your shin should be behind their leg, not their tailbone. Grab low on their same side trouser leg with your shin hand, knuckles forward. Your other hand reaches high on their same side collar, pulling back towards you as much as possible. You want to curl their body, so their shoulders are off the ground. This makes it much harder for them to sweep you.

Drop into a relatively low crouch, legs apart for base. They will probably have a foot on your hip at this point, on the side where you're trying to get your shin behind their leg. Turn your leg inwards slightly, pressing into their foot, then swing the leg back and over, while simultaneously driving their leg diagonally backwards between your legs (just like Kev's version). The grip is important here: you're going to roll your knuckles down so that they are pressing into the shin, straightening your arm. This provides a firm control.

Next, you're going to cut across their thigh (still on the leg you just stuffed with your knuckle grip), using your opposite knee. As you do, also be sure to yank them towards that side with your collar grip, again to prevent sweeps. Drop in low, trying to secure an underhook, also keeping your head in tight. When you've pinned their leg with your shin, you can switch your grip from their leg to their arm and pull up.

From here you'll slide through as normal. To secure your position, walk your hips back before you settle (there is a good Mendes brother video on this), getting your hips underneath them to shove their legs out of the way. That's when you can then solidify your side control. Dónal recommends also jamming your elbow into their far hip to stop them turning away to turtle, then using pressure with your lower abdomen to stop them turning back towards you. That should mean they are now stuck.

After that we did some trouble shooting, which was cool as it fit in directly with the half guard knee shield passing we're been working a lot over the last few weeks. For example, the Jason Scully knee cut option I taught, which is the one I like the most so far. Dónal went with an even simpler option than the various techniques we've been drilling so far. If they manage to get a knee shield in the way, basically all you do is slide your trapped knee backwards, collapse on top of their knees, then walk up so you drive you hips into them. Put a knee on either side of their legs, then trap them in place with your weight by sinking your hips towards the mat. When they move, back step and take side control.

It sounds simple, but requires some sensitivity. I was having trouble getting it until Dónal showed me a great drill for developing that awareness of the right pressure, where you surf their knees from side to side, moving them with the insides of your own knees. Another point where I initially struggle was if when you collapse their knees your end up lying on your own arm. You need to pull that out, but avoid lifting up and giving your opponent space. Turn your hand, then pull directly back towards your elbow. There should be barely any lifting of your upper body.

I'm still not sure I've quite got that, as I kept finding myself trying to base off the other hand, my knees, my foot, my head and so on. You shouldn't need to base off anything else for this, just quickly and firmly pull your arm free then circle it round to control them. All in all, great stuff, which may become even greater when we have other people there next time for demonstrating and the like.

29 January 2013

29/01/2013 - Gracie Barra Bristol (Top Side Control)

Class #483
Gracie Barra Bristol, (BJJ), Dónal Carmody, Bristol, UK - 29/01/2013

As always with Dónal's lessons, there were some interesting drills. Particularly useful today, as I was trying to think of more top side control drills when I taught last Saturday, so these should come in handy. For the first one, you're in a standard side control, then they turn towards you and try to secure an underhook. Put the arm you have nearest their legs by their near side hip, with your fingers pointing towards them. That's going to be one basing point.

With your other hand, push their head towards you, simultaneously stepping your other leg over their head, keeping your weight on them. As you spin to the other side, bring the elbow of your head-pushing arm inside what was their near hip and is now the far hip. Move back into normal side control, then the process starts again.

The same motion fits well with an armbar drill. This time, you have side control, one arm under head, the other hand reaching under their far arm and cupping their shoulder. Move back slightly for space, then yank their shoulder towards you, putting them on their side. Secure what was the far arm and is now the 'top' arm, then push head and step over as before. Grab their same side knee with your free hand, falling back for armbar.

Note that this is for when you have their arm next to your head, leaving it vulnerable. If they have arm in the typical position under side control, pressing into your neck, you'll need to base forward and wriggle that arm in place, or adjust as you swivel to isolate the arm.

Finally for top side control, Dónal had a knee on belly drill which moved into an unusual arm control side position. Pop up into knee on belly, one hand gripping their near side collar, the other hand with a firm grasp by their far side hip. Slide your knee into their arm, towards the near side shoulder, dropping your hip so it is your body weight and leg against their one arm.

When you have driven that arm to the floor, step on their wrist with your free foot, trapping it in place. Then shift and twist, so the knee on belly knee points towards their legs, your instep hooking the arm you just stepped on. From there, you're in a good position to attack their far arm, as you've already secured near arm.

Along with side control drills, there was always a good passing drill. You do the knee cut across their leg, your hand on their far hip, using your elbow to block their underhook. Put your knee to the floor. If they manage to get the underhook, put one hand on the floor for base, then swing over, ending up further away rather than super tight: this is to improve your base, according to Dónal.

That's where the drill stopped, but you could do an opposite side half guard pass from here, like I taught a little while ago. When swinging over I liked to stay tight with my head into their chest, grabbing around their back and securing an armpit, which sets me up for that opposite side half guard pass.

Like previous lessons, while everyone else sparred I did some drilling. My choice for today was the windscreen wiper sweep. Main thing I took from that was that I need to really control the arm and pull it across, to stop them basing on it. The drill seemed to work ok with my hurt groin, so a good one to drill.

26 January 2013

26/01/2013 - Teaching (Side Control Drills)

Teaching #091
Gracie Barra Bristol, (BJJ), Can Sönmez, Bristol, UK - 26/01/2013

First off, congrats to my old training partner Pippa for her gold at the Europeans! She was the first person I ever met in BJJ, seeing as she was behind the desk when I initially walked into the Roger Gracie Academy back in 2006. Also be sure to check out Jen Flannery's play-by-play for the first day of the female black belt division. :)

Today is normally advertised as a review of the week's techniques followed by live training. The idea is that from 10:30-11:15, it is techniques and drilling, following by sparring until 12pm. Or at least that's what the text messages I get say: the last time I went to a Saturday class, it was just sparring. I decided to throw in some side control drilling to start with, specifically the continuous drill where you're both escaping to your knees, followed by the Saulo guard recovery swing versus knee on belly.

Taking inspiration from Dónal, I then had everybody drill their favourite escape from that week, followed by some progressive resistance. I considered putting in some material from Andre Galvao's drilling book too, but decided against it. However, I did get something useful out of reading it before class. He has a drill on p122 where the person on top puts one hand behind their back and the other in their belt, while the person underneath pushes them up and away, shrimping out. I wasn't too keen on emphasising pushing with your arms (though I'm sure there is a good reason for the drill), but I did like what Galvao and his co-author Kevin Howell said in the notes:

This is a mutually beneficial drill, as the bottom player gets to work on his escape movements without having to deal with the anchoring arms of his opponent. The top player gets to feel how his weight is manipulated and gets to keep the top position without the luxury of hands

I therefore turned it into a sparring drill where you're sparring from side control, but with one importance difference. Neither person is allowed to use their hands or arms. In the next round, the person on the bottom can use their arms, but the person on top still can't. It seemed to work well, especially as people were also smiling and laughing, which is always a good sign (after all, jiu jitsu should be fun! ;D). I'll do it again on Thursday, as it's useful for working top control too.

There were odd numbers today, so I was very tempted to jump in and join the sparring. I resisted the temptation, as I'm still not confident my injury is up to it. I was able to do some drilling earlier, but that's currently as far as I wanted to push it. I'm looking to pop down to a class next week, so that will be another chance to test out how the injury is doing. As higher belts have been allowed back into the fundamentals classes (for the moment), that should be a good opportunity for lighter training.

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Teaching Notes: I didn't specify exactly how people should keep their arms out of the way for the 'no arms' drill, so a few people were being naughty on top and still bringing their elbows into play. Next time, I'll specify hands behind the back, as that way they'll be forced to rely on weight and hip movement. :)

Somebody bled on my gi while doing the progressive resistance, so hopefully that comes out ok. I went the salt and cold water route, which reduced the stain but didn't remove it completely. Hopefully the washing machine will do the rest: seemed to work ok for my trousers in Texas, as those got bled on too. Although that would have been due to Georgette's powerful washing machine and her skilled washing routine. ;)

The 'form two lines' method for dividing up the sparring has been working fairly well, having used it on Thursday and today so far. However, not so good with odd numbers, as it means somebody has to sit out (although if I wasn't injured, that wouldn't be a problem. Frustrating groin injuries! Grr). It did give people the chance to rest if they wanted to, but that also meant that not everybody had a chance to do all the drills, so I'd prefer to avoid that if possible.

25 January 2013

25/01/2013 - Teaching (Side Control: Running Escape) Advanced

Teaching #090
Gracie Barra Bristol, (BJJ), Can Sönmez, Bristol, UK - 25/01/2013

Following the beginner class, it was straight into the advanced session. I'm not quite so comfortable teaching the advanced class, as I don't feel I know enough to teach higher level students (at Gracie Barra Bristol, that only means up to purple belt, so I at least wasn't teaching anybody a higher rank than me, but then I only feel about blue belt level, so in a sense I was). Hence why I plumped for a position I use a lot in sparring, the running escape. Although as it turned out, it was mostly white belts anyway, so much the same as my typical Thursday class demographic. ;)

Last time I taught this class, I felt like I threw in too much detail. Shifting the plan around I started off by focusing on the survival posture for the running escape. Rather than gripping under your head and far arm as in orthodox side control, for tonight's scenario your opponent is using near side grips (i.e., an arm under your head and by the same side hip). That means that it is very difficult to bridge towards them and shrimp, because they've trapped that side. However, you can still bridge away from them, as that side is completely open.

A simplified version of the running escape starts in much the same way as an orthodox escape: bridge to make some initial space. Your aim is to create a gap so that you can turn on your side, getting your hand past their near shoulder. Use that hand as a block, then step out with your bottom leg. Be careful you don't elbow your partner in the face as you do that, especially if you're pushing off their shoulder with your hand.

The defensive position you're looking to reach is turned away from them, with one leg over the other, foot based out. Your top elbow is clamped to that stepping leg (your forearm should be glued to your upper leg), while your other hand goes behind your head for defence. This can be a handy place to catch your breath, although it can also be tempting to stall.

You need to keep several things in mind while in your defensive posture. First, don't let them sneak an arm around your waist. If they get an arm in, you aren't going to be able to turn away and free yourself. Should they get an arm inside, you'll have to either wriggle your elbow and knee back underneath, or shift to a different escape. It's possible you may be able to roll them, as when somebody reaches too deeply in turtle, but most likely they will start making space to insert their leg.

That leads into the second point: be careful they don't take your back. This is the most common attack people have done to me when I've tried it. If they can lift you up enough to slide their bottom leg through (if they have an arm around your waist, this becomes much more likely), you're in trouble. If it does happen, stay tight and don't let them get that second hook in. Your elbow is already by your hip and knee to block the first hook, which means you can use the hand of that same arm to help protect your other hip from their second hook. You might also be able to move into turtle and roll them, but that needs good timing and control of their arm.

Third, watch for chokes. Saulo confidently states that they are never going to be able to choke you if you duck your head, bringing it next to your arm to block their entry. However, you can't just lie there and assume you're immune to being choked: you still need to take care they aren't able to set anything up. Should they get hold of a collar, you can try yanking that same collar outwards to remove their grip, but it may be too late if they've already got a solid grasp and started cinching the collar tight against your neck.

Moving on to the actual escape technique, I went with two options. Saulo's version in Jiu Jitsu University (p69) begins by making a little space and turning to the survival posture, then links directly to his knee on belly escape. I normally just teach that knee on belly escape as a drill for my open guard maintenance lesson (e.g., back in October), as the swinging motion is a useful skill to learn. However, in his book, Saulo uses that motion to recover his guard from under side control, rather than the swivel he uses in his DVD.

The risky part is as you're swinging through with your legs in the air: if your partner is prepared and you aren't able to perform that motion smoothly and efficiently, they may be able to set up a double-underhook pass. It is therefore important to clamp your legs down as Saulo does in the last picture, rather than leaving them dangling and vulnerable. Jiu Jitsu University is more recent than Saulo's DVD set, so I'm not certain if this version of the escape is a progression that has been stripped of superfluous elements, or a simplified version which is intended as an introductory option to the full technique presented in the second DVD set.

The second and perhaps more difficult option is from Saulo's DVD. Push off the floor with your back foot, using that to move your body forward, your hips raised. Base on your head and shoulder, then turn your top knee inwards. Continue the rotation until you can recover open or half guard. This is probably the simplest option, but I find it is difficult to secure that position, as I have to scramble for a grip before they pass.

Whichever option you go for, be careful to time your escape, staying sensitive to their weight distribution. If they are driving into you with lots of pressure, it will be hard to make space and turn. A good moment to attempt the escape is when they are looking to attack or transition to another position. Often, there will be a brief moment before they start when they take their weight off you. That is the time to spring the escape.

Finally, as you start to recover guard, you need to make sure you secure the position. If you aren't careful, they can just keep moving round and put you back in side control. That's where I tend to get caught. If you're having trouble, you could instead try going to turtle, or perhaps use the principles of guard recovery: block their shoulder and bicep, get your legs in the way, hook their leg into half guard, etc.

It is possible that the person you are training with won't often use near side grips from side control. Speaking personally, I tend to go for the orthodox grip under the head and the far arm. That doesn't mean you can't use the running escape, it simply means you have to put yourself into position, forcing them to use near grips. All you need to do is make enough space that you can turn away and curl into a ball.

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Teaching Notes: I think this structure worked fairly well. The main thing I need to really make this lesson effective is more details on that second escape. The easiest way to do that is try it repeatedly in sparring, so I can work out exactly where people go wrong (using myself as a guinea pig).

I'll make sure to emphasise getting a strong tripod structure when you put your bum in the air for the first one, making sure your legs aren't too close together and you aren't exerting excessive pressure on your neck. It might also be useful to bring in Marcelo's version, where he grabs their arm. This will therefore work even if they do get their arm through that barrier of your knee and elbow, but I'm not too comfortable with it yet.

I might also want to talk more about what can happen if they try to force a back take, specifically blocking their attempts to establish a hook by keeping your elbow and knee tight. That would be especially handy if for some reason I was following a focus on side control with a focus on escaping the back (although with the present Gracie Barra Bristol class structure, I don't think that's possible, and back escapes may not be a good follow-up to side control anyway. Though having said that, I'd find it useful, probably because I use the running escape way too much and as consequence get my back taken off of it sometimes ;D).

Another thing to think about next time is incorporating material I learned from Jeff Rockwell, when he taught a class on the running escape while I was in Texas last year.

25/01/2013 - Teaching (Side Control Escapes) Beginner

Teaching #089
Gracie Barra Bristol, (BJJ), Can Sönmez, Bristol, UK - 25/01/2013

Geeza is away on Friday and Saturday, so asked if I could take the class instead. Fortunately for me, it's right in my comfort zone: side control escapes. I was also looking forward to playing with a different format and different set of students, as on Fridays there are two classes. The beginner session is an hour, followed directly by the advanced class, which like my Thursday class is an hour and a half.

I decided to add in John's excellent conceptual framework again, in the hope that would help people realise what they're up against when underneath side control. To repeat, on top of side control, they are looking for two primary areas of control: the triangle of your head and shoulders along with the line of your hips. If they can secure at least three of those, you're in trouble. There's more to the framework, but that's the part most relevant to side control.

I initially intended to try and split the basic guard recovery into two sections, but decided against it when it came to teaching. Instead, I just went with the basic guard recovery, like I normally do when I teach this class. Along with the running escape, this is the escape I personally use the most. I started by focusing on your hand and arm positioning. First thing to note is that they will want to kill your near arm. This is bad for you, because it means you can't stop them shifting up towards your head. From there, they can make as much space as they want and pass to mount.

So, you need to get your arm inside, the forearm pressing against their hip: this is a bit more reliable that grabbing the gi material, as they can potentially still bring their body onto your hand and collapse it due to the loose material. The forearm into the hip will help block their movement, and initiate your attempts to create some space. It should also help you block them moving to north south, as if you clamp your arm by their side, your body will move with them if they try to switch position.

One thing to note is that having your forearm by their hip like that does leave you more open to the cross-face. So, you could potentially block inside their cross-facing arm instead, which will prevent their shoulder pressure. This is the Saulo method from his book, which I'll get into later.

With your other hand, grab the gi material by their shoulder, close to their neck, then pull down. Twist that arm up into their neck, keeping the elbow in: you need to be tight here, as otherwise they will go for a figure four on that arm. Once you've got the forearm into their neck, they can't press down into you, as they'll essentially be choking themselves. Note that this is a block: you don't want to start pushing and reaching, as that may leave you vulnerable. Reach too far and they can shove your arm to one side and set up an arm triangle.

Next I moved on to the legs. Your legs have two main purposes here: first, blocking your opponent getting to mount. Raise your near knee and drive it into their side. The idea is to wedge them between your knee and the arm you have by their hip. Personally, I like to keep my knee floating, glued to their side.

That makes it easier to slip my knee under as soon as they give me any space, which is something I learned from Roger. Many people prefer to cross their foot over their knee, which is something I used to do in the past as well. However, as this long Sherdog thread discusses, that can leave you open to a footlock, and also limit your mobility. Then again, you can see it used at the highest levels, like here at the Mundials.

The second use for your legs is bridging. Marcelo Garcia has a handy tip for this (although the escape he is doing there is slightly different), related to increasing the power of your bridge. To do that, bring your foot right to your bum, up on your toes. That increases your range of motion, so you can really drive into them.

Make sure you turn into them as you bridge, rather than just straight up. This will help the next part, which is to shrimp out as you come back down. That's why you've created space in the first place: if you simply plopped back down, then you've wasted the opportunity. As soon as you shrimp out, slip the knee pressing into their side underneath. Note you aren't trying to lift them with your arms. Instead, you want to push off them, moving your body away rather than pushing theirs higher up.

Once your knee is through, you need to be careful they don't immediately pass by pushing down and moving around that knee, ruining all your hard work. To prevent that, keep your hand by their shoulder. Straighten it, then add further support by bracing your other hand into their bicep (same side as the blocked shoulder). Your new frame should create a barrier to their pass, giving you enough time to recover your guard, or even move into a submission.

Alternatively, you can control their arm with your hip-bracing arm as you escape, like Roy Dean demonstrates in Blue Belt Requirements. That will also stop them pushing down on your knee, as their arm is trapped. It is worth trying both and seeing which you prefer, or which one the situation demands.

Roy Dean is also a useful reference point for the second side control escape I like to demonstrate, where you go to your knees. It begins in much the same way as the shrimp back to guard, again establishing that frame with your arms, knee into the side and bridging. As an instructor, that meant I could review what we'd just done once again, which is useful: whenever possible, I also want to closely link whatever techniques I'm teaching.

After you bridge and shrimp this time, you're going to do something different with the arm you have into their neck. Rotate it under their armpit, then reach for their legs. Roy Dean shifts out to the side, ending up crouched next to them (as in the picture). From there, he reaches for the far knee and drives forward, moving to the top position.

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Teaching Notes: Having just an hour is something I can now prepare for more carefully. It is possible to teach much the same class and change the timings, which is what I ended up doing tonight (so, 3 minutes drilling each rather than 4 and just 2 minutes of progressive resistance each rather than 3), but I'd like to design something more specific for the one hour period. That would involve more time teaching one hour classes, however.

After tonight, I would say that if I teach a one hour class again, I'll just go with one technique rather than two. Sparring time is very important: with two techniques, I ended up with a mere four minutes total of sparring. On top of that, I felt I had to cram in the drilling and progressive resistance compared to usual. Should I teach another one hour class, I'll teach one technique with my normal timings, which should still leave a good chunk of time for sparring.

I also don't think the conceptual framework at the start particularly helped, so I won't bother with that next time. However, it is definitely something I want to emphasise next week, when I'll be teaching maintaining side control from the top, another of my favourite topics.

24 January 2013

24/01/2013 - Teaching (Side Control Escape: Stiff Arm)

Teaching #088
Gracie Barra Bristol, (BJJ), Can Sönmez, Bristol, UK - 24/01/2013

I wanted to try a different escape tonight, which isn't one I've used much in the past. However, having chatted about it with John over in Texas last year, it's an escape I'd like to incorporate into my repertoire. Like the running escape, this involves turning to the 'open' side, but this time, you're doing that while controlling one of their arms. I'm not sure what the most common term is for this escape: 'stiff arm' is what I think I'll use from now on, as that seems to be the common element to the various set-ups. You might also hear it called 'elbow push' or 'armpit push'. Brian McLaughlin calls it 'the Heisman', which judging by Google is due to a well-known sports trophy featuring an American Footballer with an outstretched arm. At least I think that's why: American Football is outside of my cultural experience. ;D

I started with the armpit push version I first saw several years ago, which was on an old Braulio instructional. It's also been taught recently by McLaughlin, late last year. You're under a standard side control, then they bring their arm over to the far side. Drive them towards their legs by pressing in that direction with the arm you have by their neck. This creates some room for you to get the other hand into their armpit. Straighten out your pushing arm, then try to immediately sit up in order to get onto your elbow then your hand. Keep pushing and sitting forward, until you can roll them over your hip. This shouldn't take much strength once you have them off-balance.

Marcelo Garcia's elbow push (technically it's the triceps, but he calls it 'elbow push' on MGinAction) version begins a little differently, as he works from under a standard side control then brings their arm across. He also prefers to push into the triceps, gripping with the thumb pointing downwards just above their elbow. You can also grab the gi, but that gives them a bit more room to move. Your arm stays straight in either case. Still holding that arm, swing your legs straight up, then as they come down, use that momentum to sit up. Immediately base out on your elbow, then move to basing on your hand. Continuing to push on their triceps, shrimp backwards into the space you've created, until you can recover guard.

Interestingly, in the version John showed me in November, you don't sit up at all, but stay on the floor. Keep on pushing the arm towards your legs, until you can roll them right over the top of you and establish side control. I find sitting up easier at the moment, but I'd like to pick John's brain some more about his version, as it worked really well when he showed it to me in person (which means I must be missing some important details when I try it, or simply need more practice with it).

In regards to troubleshooting, Marcelo Garcia has a number of different options. If they keep on bringing their arm back towards your head, adjust your grip so you're trapping their arm under your armpit. Swing your legs round away from them, then pull on the arm and drive with your shoulder to flatten them to the mat. From here, you can simply pull up on the arm for an armbar (which IIRC is called 'waki-gatame' in judo, as I was first taught that technique in one of the few judo classes I attended back in the day). If they roll through, readjust and hyper-extend their elbow downwards instead.

Finally, should you find they keep moving around towards your head, Marcelo suggests bringing your head up to block. If you time that right, you can move straight into a fireman's carry and either stand up and throw them, or just flip them over your head from kneeling. Failing that, you could simply go for their knees, as if you had done the standard escape to the knees from under side control.

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Teaching Notes: It was good to experiment with something different, but I definitely feel I need more refining to get the stiff arm escape class structure and content to my liking. Next time, I may go with Mike's suggestion and include the similar counter to a stack pass, like Jeff Rockwell showed me in Texas. Marcelo combines that with the stiff arm escape when he teaches it on MGinAction, so it seems like a good combo.

Doing my usual John Will style review at the end of class, by accident I was shown something obvious. If people point their heads towards the far wall, I can then demonstrate while still being able to see what they're doing, rather than facing away. D'oh. I'll do it that way from now on, as then I can make sure people aren't having problems following along.

22 January 2013

22/01/2013 - Gracie Barra Bristol (Side Control Escapes/Guard Retention)

Class #482
Gracie Barra Bristol, (BJJ), Dónal Carmody, Bristol, UK - 22/01/2013

The next fortnight is side control, with the first week focusing on the bottom, the second on the top. As before I couldn't do most of the warm-up drills, except for the light grip fighting. I was hoping that I'd be ok as it was escaping side control, which shouldn't involve too much twisting of the legs.

However, Dónal took the angle of escaping side control by preventing them getting to that point, so essentially it was a lesson on guard retention. As soon as they move past the legs, frame on their arm and shoulder. Shrimp away and get onto your side. Next, bring your bottom shin across their stomach, creating some distance between you and them. Swing your other leg to the far side of their head, then turn your knee away. That should enable you to adjust your hips and recover guard.

If they are going low on the pass and hugging your legs, Dónal had another option for retaining your guard. I'm not sure I quite understood this fully, but the idea is fairly simple. They are wrapping your legs, staying low, but that means they don't have much control over your upper body. Sit up, then turn, putting your rear hand behind you for base. Your forward hand reaches across to their opposite leg, hooking underneath their thigh. This should stop their movement towards you. If they try to switch sides or step over to mount, lift, insert your butterfly hook and sweep them.

Like last week I wasn't sparring, so just did some drilling on the side control escape I was thinking of teaching on Thursday and Friday. That proved useful, as it highlighted a few areas where I think people might have trouble and therefore want solutions. Should be fun: I'll get to essentially do a 'test run' on the Thursday, meaning that the Friday version of the class should be more refined. ;)

19 January 2013

Interview: Carlos Lemos Jr on Teaching in the USA & Gracie Barra

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Last time, Carlos Lemos Jr talked about the old days of Gracie Barra Bristol, back when he founded the club. In the final part of our interview, Lemos gives his perspective on the Gracie Barra ethos, along with sharing his thoughts on teaching in the USA.


slideyfoot.com: Gracie Barra is among the more formal academies in jiu jitsu. What benefits do you think there are to the environment created by things like a standardised uniform, bowing to pictures of Carlos Sr and using titles like 'Master' and 'Professor' etc?

Carlos Lemos: I don't believe you can have progress without order. I don't believe you can have order without respect. I don't believe you can have respect without hierarchy. These principles, they are vital to our team. They make our schools a friendly environment, an enjoyable place to be. The uniform gives you your identity, who you are, the legacy you represent, where you come from. It gives students pride and honour to wear that. Like the samurai in Japan, they would wear their banners and their crests from their families. That is what the Gracie Barra triangle represents on your gi, it is your crest, it is your coat of arms.

The formal bowing, it is like, man, it is the respect we have for the figure of Master Carlos Gracie and Grand Master Carlos, the patriarch of jiu jitsu and the founder of Gracie Barra. I think for the youth nowadays, you see so many kids having problems in school, of discipline, at home, swearing at their parents, not following enough with their homework. When they are exposed to something like Gracie Barra, it is like they join the army at the age of five. It creates then the discipline to master perfection. Perfection has a lot to do with sweat: it is one percent inspiration, ninety-nine percent perspiration. I'm quoting Albert Einstein.

I think that is what we're offering today. It is different from many other jiu jitsu schools. We create a friendly, formal environment, where you can bring your family, you can bring your girlfriend, your mother, and you never feel disrespected. For instance, jiu jitsu we believe is for everyone, and there are some cultures that won't feel comfortable bringing their wife, sister or daughter into a jiu jitsu academy where everyone is bare-chested. Taking their shirts off, showing their muscles, their half naked body. Even though in Brazil, we grow up by the beach with people in Speedos, it is our way to respect other cultures, to have our rash guard under our gis.

All of this creates in the school an environment that people feel like staying and hanging around, so they feel like it is a school not only for the fighters, but for the families of the fighters. That's what we want to reach, jiu jitsu for everyone. When my master came up with that slogan, he truly believes the mission of the Gracie family is to help rescue family values with jiu jitsu. That's what we're proposing to do with all of our students.

slideyfoot.com: You currently teach in the USA: what has that experience been like?

Carlos Lemos: The American market is very demanding, in terms of quality. People in America don't mind paying, but they pay for what they get. So if you offer the best, the American market is not afraid to back that up. I think that is the main difference between over there and over here. If you offer the best services, the best customer services, the best instruction, you can be very successful over there.

I've got a great band of students in America, I love my guys. Trust me, Chicago is not the favourite tourist destination for a Brazilian guy who grew up by the beach. Cold, windy, no sea. But over there, I have a great band of brothers, guys who support me with everything I need. Faithful, loyal students. Everything I grew up witnessing back in Gracie Barra headquarters. I love my students, so if I can stay over there, I will.

Sometimes I get a bit nostalgic, and I get homesick for the UK. There is this Irish pub not very far from my house, where they have a very good fish and chips. So I cheat a little bit on my diet, I go there and have my fish and chips. I cry a little bit, because I do miss home: this place is a second home for me. I was very homesick at the beginning, but my good students and friends over there, they compensate for that.

Still, every time I come over here, I land in Heathrow Airport, I feel like, "man, it's weird, but this place feels like home still."

slideyfoot.com: Is there anything else you'd like to say to the readers of this website?

Carlos Lemos: Guys, train jiu jitsu. It is life changing. You will find the best friends of your life, you'll have tons of fun, you'll get healthier, fitter, you'll sharpen your mind, and I think if you train with us in Gracie Barra, you train with the best. There are Gracie Barra schools all over the country. If you don't have a Gracie Barra in your town, research a little bit about your instructor, their background, who they are. Don't train only with champions, because that is not everything in life. Train with a good educator. Train with somebody who is going to teach you a way of life, not only a way of fighting. Become a knight, don't become a brawler. That's my message, try it out and I'm sure you're going to be hooked. It's super fun and I love it.

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17 January 2013

17/01/2013 - Teaching (Passing Knee Shield Half Guard/Z-Guard)

Teaching #087
Gracie Barra Bristol, (BJJ), Can Sönmez, Bristol, UK - 17/01/2013

Geeza has shifted the teaching schedule around for this year, so that it is not in two week chunks anymore. Instead, we have one week sections, but each fortnight will still be related: i.e., top side control followed by bottom side control. This week works out as still being passing guard, so I could continue my half guard passing series. Next week will return me to my favourite teaching topic, escaping side control: I'll also be teaching more than usual as I'm covering some classes, so that should be interesting.

Tonight I'm continuing with half guard. As mentioned earlier this week in Dónal's class, one of the most frustrating obstacles when passing the half guard is encountering a knee shield, also known as z-guard or shin guard. I didn't want to simply re-teach Dónal's class (I'd completely forgotten this, but it turns out I've learned that technique before, at Roy Dean's first UK seminar), so instead I started with an attempt to look at passing the knee shield conceptually.

I wanted to emphasise the control points (worth noting here that John's excellent theoretical framework for control in BJJ applies here too) and movements that are key to the two passes I wanted to share, as well as the technique we learned on Tuesday. First off, if their knee shield is high on your chest, it will be more difficult to push down. You can try shoving it down with your hands, but that not only exposes you to potential attack, it gives them a chance to move away and you might lose your passing opportunity. Try to use your bodyweight if possible.

You then need to make sure they can't move their hips. Dónal did that by driving his trapped knee through, into their hip. You can also accomplish it by pinning either their lower or upper leg some other way, which we'll be covering. You also want to block their upper body: Dónal flattened them onto their back, but there are alternatives, such as pinning them in place. Finally, you need to get used to sliding over and past their upper leg while still maintaining maximum downwards pressure.

As ever with Operation Tattered Belt, my first technique comes from Saulo's book. On p219, Saulo has an option for what he calls 'open half guard', which in this instance is the same as knee shield. To pass the knee shield, Saulo (or rather his brother Xande) demonstrates the importance of switching your hips. Staying close, sprawl back, also grabbing their lower knee with your same side hand, while the other wraps around their back. This performs a similar function to driving the knee through like on Tuesday, as it blocks them from easily moving their legs and by extension their hips.

Base your free leg out and stretching your trapped leg back. Switch your hips, so that you're driving your hips downwards into their blocking knee. When you've made good progress on driving that knee to the mat, slide your previously trapped leg over theirs, then move around to side control, continuing to keep the pressure on. As soon as you get past their knee, you might find it helpful to then shift your hips backwards into their knee to clear the way for side control.

Jason Scully demonstrates some other options in what he calls the staple pass. Rather than controlling their upper body by flattening them like Donal or simply staying close like Saulo's book, Scully puts his head down onto the mat by their armpit. His far arm has the elbow close to the mat, which is similar to Saulo's version, although Scully notes you can reach for an underhook. Also like Saulo, he takes hold of the lower knee with his hand to stop them moving: this accomplishes a similar result to Dónal driving his knee across into their hip.

The 'staple' part is a little different. Similar to how you can circle back with your leg to add a brace for the half guard smash pass from a few weeks ago, to beat the knee shield you can circle your leg back to brace against the lower part of their bottom leg, in order to hold it in place. Cut your other knee across, basing the bracing leg out and stepping it forward. From here, it is possible to continue through and pass like Saulo.

However, Scully's version involves a change of direction. Shift your grip to their top knee, clamping that to the mat. Use that, your other arm and your head for base, then hop your legs over to the other side, establishing side control. It is much the same motion as in Kev's xmas guard passing drills last month.

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Teaching Notes: I have had the pleasure of learning BJJ from two excellent instructors called Kev. Normally I'm referring to Kev Capel at RGA Bucks, but today I'll be referring to Kevin Webb, who taught me a few times when I was briefly at Gracie Barra Birmingham. Back in April 2010, Kev Webb demonstrated some half guard passing when they have a knee shield in place. I was thinking about it teaching it, but from my notes I'm not totally sure I can remember enough to do a good job, and it also looks as though it may involve too much jerking of the leg to be safe for my groin injury. Still, I remember it being a great class, so it's something I'd like to play around with once my injury is sorted.

I considered a few other variations too, like a simple one where you simply shifted your hips around and turned towards their legs, but plumped for the two that seemed to fit together. If it wasn't for Operation Tattered Belt, I'm not sure I would teach the version from Saulo's book, as I find people often get caught on that trailing leg. Stapling it seems more effective, or at least easier to understand.

Having said that, I did notice that at various points students had trouble reaching back with their leg. The key seems to be sprawling back onto the bottom person's leg, shifting across to make sure that your leg is folding theirs over. If they have enough room to stick their leg straight up, it may be difficult to snag it with your own leg, as they can stick their leg quite high and close to your butt. That makes it very hard to catch with your leg, but should also make it vulnerable to sprawling backwards on top of it.

Next time, I'll definitely emphasise the sprawl more when teaching. I kept mentioning staying on your toes, which is another point, but should also emphasise jamming that bottom leg into the mat with your grip. That makes a big difference. Pushing with your trapped knee, as in Dónal's pass, is something else I could mention during the teaching. Still, I need to maintain a balance between useful information and overloading people.

With the review at the end, I'm currently facing away and moving through the move on my own, shouting out the instructions. It would be better if I could get to a stage where I don't need to run through it myself, and can instead just run everybody else through the instructions. I'll have to reverse right and left in my head, but apart from that it shouldn't be too hard to institute.

15 January 2013

15/01/2013 - More USA Trip Plans & GB Bristol (Passing Z-Guard/Knee Shield)

Class #481
Gracie Barra Bristol, (BJJ), Dónal Carmody, Bristol, UK - 15/01/2013

Going to Texas last November was awesome, so I'm keen to get to the USA again. Hence why I've booked a trip to California in June. There won't be anywhere near as much BJJ as before (or as much as Julia's amazing trip a while back), because I'll have less time, but I'm still hoping to get in three or four sessions on the mat and hopefully a few interviews for Jiu Jitsu Style Magazine.

My plans aren't concrete, but I'm intending to pass through San Francisco, Los Angeles and San Diego. In terms of training, I am definitely planning on Fabio Santos in San Diego, as both Dagney and Caleb train there. There are a couple of other bloggers there too, including one of my favourite writers, Chelsea, but I'm not hardcore enough to train at a mega-competitive gym like Atos. I'm a very mediocre, passive purple belt hobbyist. That's also why I'm a bit uncertain about checking out Kurt Osiander in San Francisco, but I really like his focus on the basics, so I may go for it anyway (although from all the stories about that gym, I'm slightly concerned they may literally kill me ;D).

It would be cool to meet up with Dave from the Jiu Jitsu Forums, if he is about: Julia had a chance to train with him during her tour. I would also love to train with Xande and Saulo in LA and San Diego respectively, but I'm not sure I'll get the time. Interviewing Saulo would be brilliant too, as he is one of my BJJ heroes (as is Xande: I have gotten a huge amount from the excellent instructional material the Ribeiro brothers have put out over the years), but I imagine he is a busy man. Still, worth a try.

Another possibility is the Gracie Academy in Torrance. I hadn't expected to be able to get there, as it isn't easy to reach without a car, but it may be possible to get a lift from a Facebook friend of mine, which would be very cool. Although I've certainly got criticisms of the Gracie Academy (particularly the online ranking system and the philosophical distinction they make between what they call 'sport' jiu jitsu and 'self defence' jiu jitsu), it is of immense historical importance to BJJ and the teaching standard is excellent.
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I haven't made it to one of Dónal's classes since October, partly due to being in the USA over November but mainly because of the groin injury. That still hasn't gone away, but I feel comfortable enough in Dónal's class that I'm able to train around it. I don't yet feel that way about Geeza's advanced classes (mainly because I've almost never been to an advanced class at GB Bristol, so I don't know what they're like), which is why I haven't been to them, but I should be ok in the fundamentals classes (which Geeza has recently re-opened to non-white belts).

My trust in Dónal was more than rewarded by an excellent lesson tonight. He was careful to check I was ok repeatedly during the warm-up, making sure I didn't take part in anything that might aggravate my injury any further. I had to sit out a lot of it, as Dónal has a fondness for various drills that use pushing, kicking and twisting motions (which normally is a very good thing, but unfortunately I can't do them safely at the moment). I was able to take part in grip fighting, which was useful.

The technique tonight was passing the knee shield, also known as z-guard. It is a right pain to pass, so any techniques that help are welcome. Dónal's method covered a scenario where they have secured the knee shield, also grabbing your collar on the same side as the knee shield. Generally you'll want to break that grip, grasping with both hands underneath and thrusting up as you simultaneously jerk back to pop off the grip.

However, it isn't essential: you can still pass while they are gripping. Grab their shoulder, still on the knee shield side, while your other hand pins their other wrist to the mat. Pull that wrist out away from their body, so their arm is straight. At the same time, try and push on their shoulder on the knee shield side. You're trying to flatten them onto the mat.

The key to the technique is your trapped knee. You need to slide that over their leg, pushing your knee down by their hip. This will prevent their leg from following you, which also immobilises their hips. Once you have that knee in position and you've flattened them out, slide your knee backwards, pushing against their lower leg back as you do so. That should help free your knee.

Next, collapse your hips right onto their knee shield, staying on your toes, sprawling out your legs to maximise your weight. Pull up on their wrist, walking around to pass over their knee. You may find you want to walk your hips back into their knee once you clear it, if they are trying to follow you with that knee. From there you can shift into side control.

Be aware that you don't want them to take your back, so be careful of them trying to sneak their arm around. Driving your elbow by their hip should help block that. Pulling up on the arm should also make it difficult, as that will hinder their ability to turn their shoulders.

I got in a lot of drilling time on that technique, thanks to Dónal. While everyone else was sparring, he put me off in a corner with a selection of different people, saying I could drill whatever technique I wanted, but it had to be just one technique. That is totally fine by me: a lesson of focused drilling is pretty much my ideal lesson, and what I try to teach in my own lessons on Thursdays. Unsurprisingly, I continued drilling the same knee shield pass I had just been shown.

Dónal stayed around the area, offering up more and more tips (which I've incorporated into the description above: there wasn't that level of detail in the initial demonstration, but Dónal added it in while offering advice during my focused drilling bit later). It also made me think that this is probably a good time for me to get some private lessons from Dónal, given that I'm injured and I like his teaching style. I just need to find a time that fits into both our schedules, which may be difficult as he's in demand! ;D

One final thing Dónal mentioned is that I could try and move straight into a choke after the pass, setting it during the pass itself. As I start to move around while pulling up on the arm, Dónal suggested switching the hand that was gripping the shoulder to the opposite collar. Pushing that across, I can then feed it to my arm-pulling hand, securing a grip that could be used to go into a sliding choke, bow and arrow choke or various other options.

I rarely even consider the submission, as I am heavily focused on escaping and maintaining. It is good to keep them in mind, though submissions are still a low priority for me, as I think my passing needs a great deal of work, as do my back escapes and closed guard. It's frustrating I can't practice closed guard properly with my groin injury, but back escapes and passing should be viable if I take care.

12 January 2013

Book Review - Borrowing the Master's Bicycle (Mark Johnson)

Short Review: Johnson's follow-up to Jiu Jitsu on the Brain is less focused on immediate applicability to training, but is nevertheless an interesting and entertaining read. The central theme is one which Johnson has been developing on his blog for a good while now: understanding life through jiu jitsu. In the 1970s, Robert Pirsig famously used motorcycle maintenance to explore broader concepts, such as the nature of society's relationship with technology. Johnson does something comparable, but through jiu jitsu, trying to develop what he calls 'Jiu-Zen'. Available to buy for your Kindle here for $5.17 (or in the UK, here, for £3.20).

Full Review: This is the second book from Mark Johnson, following Jiu Jitsu on the Brain (which I reviewed earlier this year). Since then, Johnson has received his black belt from Pedro Sauer, which automatically means this book should garner more attention. Fellow black belt author Kid Peligro has written a foreword, which again lends considerable credibility, given Peligro is easily the most prolific author of respected BJJ books (such as The Gracie Way and BJJ: Theory & Technique). Peligro doesn't say anything especially noteworthy in his foreword, but then forewords are often just there to lend legitimacy rather than deep insight. Peligro's book The Gracie Way does the same thing, where the foreword is written by Royce Gracie.

As with Jiu Jitsu on the Brain, this new release is not a typical instructional volume. Instead, it is a collection of Johnson's thoughts on BJJ. In Jiu Jitsu on the Brain, there was a cohesive structure that meant it can function as an instructional of sorts, geared towards beginners or people still just thinking about starting BJJ. Hence why I would be happy to recommend that first book as the only BJJ instructional volume currently available which is completely 'safe' for beginners (as there is no danger of them being overwhelmed with technique).

Borrowing the Master's Bicycle is different, though there are still useful bits of advice (e.g., set yourself small goals, learn to breathe properly, cultivate an attitude of constant learning, etc). With each chapter, Johnson takes the opportunity to muse about potential broader meanings in jiu jitsu, generally unconnected to the previous chapters. Still, there is an overarching theme, which Johnson has mentioned numerous times on his blog: jiu jitsu as a vehicle for understanding the universe. Indeed, the pdf version he sent me for review was entitled Jiu Jitsu and the Universe.

Like Jiu Jitsu on the Brain, there are a few slips which can probably be blamed on the spellchecker, like 'affective' instead of 'effective' or 'preformed' instead of 'performed', among others. A few full-stops have also gone astray, then there are occasional things like 'to' instead of 'too' (though I am sure the spellchecker is also to blame in that instance rather than Johnson's grammar, given that he is a high school English teacher). That's to be expected with a self-published book and the mistakes are quite minor.

If Jiu Jitsu on the Brain was a Hagakure for BJJ, the comparison that springs to mind for Borrowing the Master's Bicycle is, appropriately, Zen and the Art of Motorcycle Maintenance. Johnson's book doesn't have the narrative flow of Pirsig's work, but there is some of that same sense of reaching an understanding of universal principles through a focus on the specific. For Pirsig, it was getting his hands dirty working on his motorcycle on a long journey across the US. For Johnson, it is perfecting his jiu jitsu over the course of a lifetime.

Like Pirsig, Johnson peppers the text with anecdotes, intended to elucidate a philosophical point. For example, in one chapter Johnson discusses how BJJ has helped him become calm, to the extent that he now barely even argues. To do so, Johnson draws a contrast between two evocatively described episodes from his past: his aggressive response to a theft back in his college football days, compared to his polite withdrawal from a potentially volatile situation after he had begun training in jitsu.

The only other book I've read in BJJ that is in at all the same field, aside from Johnson's own previous work, is Carlos Machado's Putting the Pieces Together, which I recently reviewed for Jiu Jitsu Style Magazine. Machado's volume would fall firmly into the self-help category, consisting of a series of inspirational quotes. Though I wouldn't put Johnson's book in that same category, there is an element of this in Borrowing the Master's Bicycle, although Johnson accomplishes his philosophical aims through more considered and expansive parables.

It is difficult to discuss spiritual concepts without coming across as pompous, especially in the blogosphere from which Johnson's book grew. Even the word 'spiritual' has developed connotations of hokey New Age posturing. However, Borrowing the Master's Bicycle does a decent job of avoiding that tone. Johnson's fondness for throwing in references to pop culture is another reason he doesn't float off into clouds of incense. Darth Vader, Yoda and The 36th Chamber of Shaolin all make appearances. Then there is his language, which remains colloquial: the book has liberal helpings of "cool", "dude" and the odd "shit".

I was particularly intrigued by the idea Johnson shares in his last section, where he started to analyse the eighty-eight techniques required to gain a blue belt from Pedro Sauer (the question of whether or not formal testing is a good thing is a different topic, about which I have strong views, but it isn't directly relevant here). I would be very interested in reading an entire book along those lines, if that's a project Johnson ever decides to expand upon in a future release. Borrowing the Master's Bicycle is available to buy for your Kindle here in the US for $5.17 (or in the UK, here, for £3.20).

10 January 2013

10/01/2013 - Teaching (Opposite Side Half Guard Pass)

Teaching #086
Gracie Barra Bristol, (BJJ), Can Sönmez, Bristol, UK - 10/01/2013

Today I wanted to take a look at a pass Ed Beneville and Tim Cartmell refer to as 'inverted half guard' in their excellent book, which I first learned from Roger Gracie a few years ago. In Jiu Jitsu University, Saulo uses the term 'opposite side pass', which is more clunky but also easier to understand. 'Inverted' is mainly associated with being upside down in BJJ, so I'll stick with Saulo's nomenclature.

The orthodox method to pass the half guard is to get a similar 'super-hold' (as Xande calls it) as you would in side control, then use shoulder pressure to hold them in place as you bounce your leg free and slide through. That's what I taught last week. With the opposite side pass, you're also trying to control their upper body. In Saulo's version of the pass, on p307 of his book, they already have an underhook. He therefore grips over the top of that underhooking arm, securing it by gripping the gi material by the small of their back. Posting on his free hand, he then swings his free leg over, ending up sat next to them. He suggests grabbing their knee initially, then shifting to grabbing the far hip.

I would prefer to grab the knee and maintain that grip, to prevent a counter they can try where they open their half guard then hook under your knee, lifting and driving through to the top position. Either way, once you're over, you need to keep control of their upper body, or they will be able to simply turn towards you and take the top position.

To prevent that, control them with your grip on the back, as well as maintaining pressure with your head and chest on their upper body. You then want to work your leg free, which may be easier said than done. The simplest approach is to push on their bottom leg with your free foot, extricating yourself from half guard and taking top side control. You can also try pulling their leg towards you in order to help create the space to free yourself.

After drilling that and then doing some progressive resistance, I added in some more details, mainly regarding grips. Option one is to reach under their head with the arm on the same side as your trapped leg: that may feel counter-intuitive, as normally that is the arm you would use to underhook, but this is because you're swinging over to the other side.

Option two, still with that trapped-side arm, is to grab their opposite shoulder. This is a nastier option, as that means when you swing over to the trapped-leg side, your forearm will drive into their throat (and is why I wouldn't recommend it, as it is relying more on pain compliance than leverage). If they have a gi, you can also try grabbing their opposite collar, but that may firstly limit the amount of arm across their throat and secondly be overly loose, unless you make sure to take the slack out of their collar first.

Option three comes from the Beneville book: if you can get this one, it's probably the tightest option. Before you swing over, open up their lapel on the free leg side. Pass the end of their gi to the hand you have under their head and feed it through. Push their head slightly towards the trapped leg side, then shove your head in the space you’ve created. You can use your head for base, along with your free hand if required.

After you've swung over, watch out for a counter they may try, which is to lift up your leg with their far foot, flipping you over. To re-counter that, immediately switch from holding the knee to hooking behind their knee with your arm. That should stop them lifting for the sweep. Alternatively, you can also do a big step over to the other side as they try to flip you to your back.
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Teaching Notes: I was trying to think of a 'simple' version to start off, deciding to teach Saulo's version first. I'm not sure if that was in fact the most straightforward, but the students seemed to understand it ok: hopefully I'll be able to get some feedback to hear their thoughts on it. I'm not really that keen on the grip over the underhook, but it's a viable option, particularly if you've already been put in a bad position due to their underhook. You have the option of a whizzer to control them too, or maybe even a brabo choke.

Like last week I wanted to continue switching people after each round, rather than waiting two rounds. Also like last week, that meant I had to be careful that everybody had a chance to work both top and bottom. I decided to put people in four corners then have them shift around to the right. However, that swiftly got confusing: it just about meant everybody had a chance to work with everybody else, but there must be a better system. Next time, I'll try counting off in pairs, then have the number 2s stay where they are while the number 1s move around after each round. Hopefully that will work better.

Again, I did a review at the end. I split it into two, running through the technique once with Saulo's version, then the three grip variations. I thought it was better to go through the technique once and then show the grip variations in isolation. I could have shown the four grip variations then complete the technique, but I decided that would be more confusing. I could be wrong: as ever, let me know your feedback, especially if you were in the class. :D

04 January 2013

Equipment Review: Zebra Home Training Mat (Roll-Out)

Short Review: The Zebra Home Training mat (5 x 10 feet and 3.5cm thick) is light and easy to transport, with enough padding to safely practice BJJ, though I'm not sure I'd recommend using it for heavy takedowns. The mat is quick to set up, as it rolls out for immediate use. Storage in the attic would work (if you are sure the 45cm circumference roll will fit through your hatch), but otherwise you would need a space at least five feet high to store them regularly. To spar on these comfortably you would want at least two, but for drilling and light sparring, one is good enough. There is no fastening system: to secure two or more together you have to use tape.

In the UK, the Zebra Home Training Mat is currently available from just one place, Fight N Fit MMA here in Bristol. You can either head over to their shop on 317 Two Mile Hill Road in Kingswood, or order online from the website. It's a fairly hefty £219 delivered, or (at time of writing) £199.99 from the shop, though that includes the no doubt equally hefty customs fees. In the US, Budovideos sells it for $249 here. They come in either black or blue.

Full Review: BJJ outside of Brazil arguably began in a Los Angeles two-car garage, where Rorion threw down some mats in order to start teaching a small group of students. Several decades down the line, training at home is a luxury for some, who want to supplement what they've been taught at their local school. For others, it is a necessity, getting together a group of like-minded individuals because there is no other option for hundreds or even thousands of miles (though the latter situation is becoming increasingly rare).

Back in Rorion's garage academy days, the surface would presumably have been judo tatami or perhaps wrestling mats, individual squares of padded material. Anyone who has been training in martial arts a while, unless you've never done any grappling at all, will probably be familiar with dragging mats across the floor before class starts, then stacking them all back up in a cupboard. These squares are not portable, they slide around and you invariably catch toes and fingers in the gaps, at best tripping and at worst injuring yourself.

They can also develop creases and cracks, which leads to multiple problems. It makes them more awkward to clean, as well as less safe for training. Just as gaps can snag digits, crease and cracks can do the same. Jigsaw mats are a slight improvement, as those gaps are less common, though the mats themselves tend to be quite thin. Having said that, jigsaw mats do have the considerable plus of a solid connection. The main downside is that it can be somewhat time consuming to combine all the mats, especially if you are trying to cover a large area.

The market of people training in their garages, basements and living rooms has grown sufficiently large that there are now a number of different suppliers of portable, compact home training mats. Among the most important innovations in that regard is the arrival of mats that can be rolled up, rather than having to stack them up in a pile. Being able to simply spread the roll onto the floor is much quicker than the laborious chore of laying out squares of mats. It is also a significant step up in convenience for transportation and storage.

As far as I can tell, the roll out mat was invented by Gary Heartsfield in 2001, or at least the particular method most commonly used today (as per the patent). The abstract included with the patent listing describes it as follows:

A floor mat with a seamless top surface and a segmented cushion layer. The seamless top surface eliminates gaps, crevices, and seams that may adversely affect performance or durability of the sports mat. The segmented cushion layer provides an essentially continuous cushioned mat when the mat is in an unrolled configuration and reduces the likelihood of damage to the sports mat due to an exposed top surface or compressed cushion layer. The floor mat may be rolled up into a storage and transportation configuration without turning the mat over. The floor mat is also configured to permit one person to roll and unroll it.

In the United States, the best known company is probably Dollamur (particularly after they bought their competitor, Swain, in 2008), for whom Heartsfield was working when he came up with the new process. Dollamur is mainly associated with wrestling, but it has also expanded to pretty much any sport that could require a matted surface at home (e.g., gymnastics, various striking styles and of course jiu jitsu). Rorion's Gracie Academy also has their own brand of mats, for the 'Gracie Garages' that pay homage to that original training set up, resurrected for Gracie Combatives. Jeff Rockwell's school uses yet another supplier, EZ Flex Mats who used to be part of Dollamur.

The other major player is Zebra. In the United States, Zebra is one of several companies providing a roll-out mat. Here in the UK, they are your only choice. Until Fight N Fit brought in a supply of Zebra roll out mats this month, there was no choice at all. That scarcity goes a long way towards explaining the relatively high price. In the US, you could get roll out mats cheaper, but that doesn't take into account shipping, tax and customs to the UK, which for something that large and bulky is considerable.

According to this interesting thread from a Canadian Zebra Mat employee, the standard Zebra mats are made in Germany, a fact of which that particular employee is very proud. However, the Zebra Home Training roll out mat is made in China. There is a commercial roll out mat (i.e., for use by wrestling teams, jiu jitsu schools, MMA clubs etc) made in the US, but that is not available online.


When I trained at Rockwell's school in November 2012, I had my first experience of training on roll-out mats. Rockwell's location (he has two: the other is at the University of Texas) is an aerobics room in a fitness gym. It was impressive how that could go from a bunch of exercise bikes on a hardwood floor into a fully-matted jiu jitsu academy in a matter of minutes. The mats (from a company called EZ Flex) were stored elsewhere in three big rolls, which had been cut to fit the available area exactly. These mats also had one major advantage over the Zebra version: a velcro strip along the edges. There is a corresponding strip to go on top, meaning the mats lock together quickly and securely. This is something Dollamur does as well, dubbing it 'Flexi-Connect'.

The Zebra roll out mat does not have any kind of attachment system. If you have more than one, you would therefore need to connect them with tape. According to some reviews, this can potentially became a tripping hazard, depending on how thick the tape is and whether or not the edges stay in place. Hopefully in future, Zebra will add some variant of the velcro innovation, as that is a far more reliable and convenient way of keeping the mats together. Naturally it isn't a concern if you only have one, but to do any serious sparring, you would need at least two mats. Still, tape can be a long term solution if you aren't planning to keep moving the mats into a storage cupboard or elsewhere after training. For example, the mats at Revolution Dojo were held together with tape, which is true of numerous other gyms I've visited.

A few of those same reviews I've read have mentioned that without locking down the roll out mat in some way (such as nailing a wooden border around the edge), it will slide around every bit as much as traditional mats. I did not notice an issue with the mat I tested, but then that was in my lounge, so there wasn't much opportunity for it to move. This was also on carpet, which provides further friction: on a smoother surface, like a gym, school or community hall, it may not be as stable.


The 5 x 10 foot size is also larger than I realised. I had expected I could just move a few chairs out of the way, but it actually involved pretty much clearing the room of furniture. Of course, I live in a Victorian terrace, which is not very large, especially by American standards. The Zebra Home Training Mat is therefore more than enough for your drilling needs. I could happily scissor sweep my girlfriend in either direction (though lengthways is of course preferable, as that is 10 feet rather than 5), along with a few cross arm and belt sweeps followed by mount escapes.

If you stay relatively controlled, then you can spar on the Zebra mat too. My girlfriend doesn't train, so to test this I just told her to try and push me off the mat, whereas my goal was to stay put. We both remained on the mat, even when she forcefully kicked into my chest with both feet and threw me backwards. However, if you brought standing guard passes, scrambles and more explosive sweeps into the mix, there would not be space. I also wouldn't recommend full-power takedowns, though you could drill them lightly (e.g., a throw where you support them on the way down).

The surface is very comfortable to roll on, every bit as good as the typical mats I've experienced at various clubs in the UK and USA. My girlfriend commented how she could imagine putting five or six people to sleep on them (though she meant that in the sense of people staying over after a party, rather than a boast of her awesome choking prowess ;D). When you roll it back up, you can keep it in place using a strap with a buckle, provided by Zebra when you buy the mats. The circumference when rolled is roughly 45cm. This is very important to note if you're intending to store your mat in the attic: I only just had enough clearance for mine.

I carried it by hand from the academy to my house, which is a fairly short walk. That demonstrates that this mat is not especially heavy, because I'm small and weedy: if I can easily carry it that far, so can anyone. Given that this is a mat intended for training at home, you would most likely only be carrying it as far as your attic, storage cupboard or garage, or simple across the room. For transport further afield, a reasonably sized car should be sufficient, but you would of course want to check the dimensions first.

The foam on the bottom is not especially tough, so it will get scratched if you aren't careful. There was a large chunk bitten out of mine, which may have happened when I was carrying it back, or perhaps in transit to the academy. It also got some nicks on its way into the attic, due to the tight squeeze. Either way, you need to take care when moving your mat around if you want to keep it in good condition.

The edge of the mat may rise up slightly after being repeatedly rolled up for transportation: it certainly did with the sample from the shop, which has been to lots of trade shows. As that's right at the end, if it did happen, I do not think it would impinge on training in a typical home setting. The main time where I could see it being a problem is if you had several mats and you wanted more than 10 feet, so laid them end to end. That rising edge would then have to be taped down, as it would otherwise (I assume, as I haven't been able to test this) be a tripping hazard.

You have the choice of either black or blue for the home training mat, which Zebra does not recommend for commercial purposes (I assume the commercial mats are generally much longer than 10 feet and fitted to the relevant space, to avoid that rising edge problem). If you're actually running a class, then I can imagine this would work fine. However, Zebra does provide other options for that market, which includes custom designs for the top of the mat (i.e., your school logo and the like). I would assume that is quite a bit more expensive, but perhaps there is some kind of wholesale option.

In the UK, the Zebra roll out mat is currently available from only one place, Fight N Fit MMA here in Bristol. You can either head over to the shop on 317 Two Mile Hill Road in Kingswood, or order online from the website. It's quite expensive at £219 delivered, or (at time of writing) £199.99 from the shop, but then it would be a lot more if you had to get it shipped across the sea. If you live in the US, there is much more competition and they do not have to ship so far, meaning a lower price. Budovideos sells Zebra Home Training Mats for $249 here, for the 5 x 10 foot version.